T his is a tale of two elections. All 11 passed. There was also an election, of sorts, in January: the Golden Globe Awards. The former is the highest-rated new series of the TV season; the latter, one of the highest-rated dramas on basic cable. Both are water-cooler shows about love, sex, fidelity and lies, mainly among heterosexual men and women. And both were created by gay men. A curious thing is going on in the U. Later this year, King debuts The Comeback, an HBO sitcom starring Lisa Kudrow as an actress trying to revive her career. Is all this coincidence? Gay TV writers will tell you that relationships are universal. If they talk at all. King, Murphy and Star declined to be interviewed for this article. They have good reasons for saying so. Gay writers run the risk of being labeled as, well, gay writers, and the idea of a gay sensibility conjures a monolithic image of campy queens quoting from What Ever Happened to Baby Jane? In life, though, it does. See those November results, above. Among the Fisher family members on Six Feet Under, which returns Brutale Black Gay Mens its fifth season this summer, only one, David Michael C. Hallis gay. College-age Claire, played by Lauren Ambrose, has had flings with men and women. But all, in a way, have been engaged in coming out. The funeral business they run is about the tidy management of emotions, and the repressed Fishers are continually struggling to open up to the people closest to them. Likewise, Housewives Brutale Black Gay Mens rooted in mystery and enough lies to fill a three-car garage. Secrets upon secrets upon secrets. Bound up with lies and truth is a sensitivity to ambiguity in a world of black-and-white dualities: boy and girl, straight and gay. It also has an uncanny sensitivity for the stormy, complex relationship—like a platonic marriage—between the straight-male leads Christian Julian McMahon and Sean Dylan Walsh. When we write, we are perfectly willing to write extreme behavior. That passion, curiously, is expressed in each show through strong women. But, notes Paul Colichman, co-founder and CEO of Here! The women in Desperate Housewives are caricatures and larger than life. In advertising, such dual signals are called gay vague. Yes, there are still barriers to gays on TV—Survivor last fall edited a kiss between two women. But Brutale Black Gay Mens and Murphy work in cable, where they could create gay characters—and have. Even on network TV, Housewives recently had Susan Teri Hatcher stumbling across the teenage son of Bree Marcia Cross smooching another guy at a pool party. Mostly, though, these writers are asserting their right to be gay yet to write straight. Instead, these writers have taken the idea of a gay sensibility beyond the old campy, fey stereotypes. Whether set in an operating room or a funeral home, a leafy suburb or glittery Manhattan, these shows question our easy ideas of normality. They argue that knowing yourself can take a lifetime. And they tell us that truth is an essential part of life and art—but one that cannot always be told straight. Contact us at letters time.
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